Big Bread for the Sweetest Little Whorehouse in Portland

Perhaps in an effort to compensate for the whore-y-ness coming out of me at rehearsal this morning, I have decided to bake an enormous loaf of herb bread. The Hulk Hogan loaf, rising precipitously in the oven, overshadows the swearing, vomiting, sluttish and otherwise charming characteristics of Doll Tearsheet, restoring my sense of self as a nice girl more accustomed to book lights than red lights. The fact that I went to Octoberfest this afternoon with a group of strange men, acquaintances of T's, and proceeded to get drunk is completely besides the point. The gargantuan bread is a towering paean to domesticity that amends my momentary lapses in gentility.

Ah, Doll! The biggest acting challenge I've encountered since deciding to write and perform a one-woman amalgam of Euripidean tragedy my senior year of college. (Really, where do I get these ideas? And why do they seem so good at the time?) She's really tough. A drunken whore--literally--with a mercurial temper that swings from tender to hallucinatory in 30-second intervals. My first line is "hem," Shakespearean for "very big vomit, upstage right." I've been prepping for the role by recalling encounters with drug addicts and listening to Amy Winehouse's "Back to Black." I really like the title track, but the music conveys less heroin-laced insanity than I was hoping for. The music's bluesy, but too triumphantly so, with horns and sass, to be representative of Winehouse's problems. But that's off subject.

Anyway, hollering Doll's lines and embodying her sadness is more upsetting than I'd anticipated. She inhabits such a tawdry, hopeless world--the only whore in a flopsy tavern on a dirty street in London, with an impotent fat man as her only glimpse of the kind life--that it's hard not to leave rehearsal a little ickier than I walked in (not to mention much hoarser). It's good, because the worse I feel the better the character is, but I've never felt so emotionally depleted by a part. Or, not depleted. More impacted: I feel like a dirty whore onstage and am embarrassed by myself.

See why I need to bake bread? Floury, crunchy, salty, aromatic piles of flatbread for dinner (tonight with butternut squash, red onions and stinky blue cheese); giant crusty, herby loaves of white crumb; whole wheat and walnut rounds laced dark with grain. Too much bread to eat, and so bread to freeze, alongside our beef and pork and voluminous bags of ice (T!). Bread to assuage the stress in my shoulders and the inky worm of self-doubt and loathing creeping toward my heart each day at rehearsal's end.

Bread for life. Bread for happiness. Bread for me.